Sophie Calle wants everyone to be able to see this breakup email, read it, and to do so she transcribes it in Braille, Morse code, shorthand, binary, hexadecimal, and barcode answer she .
From there, each of the 107 women provides an interpretation. Some are technical analyses: semantics, verb tenses, punctuation. Others are videos she has shot herself of a dancer, actresses, from the cinema, theater, circus, and porn movies.
These short films, each a few minutes long, invite us to take a seat and witness a form of catharsis. A spectacle without equal. Others in this group of women include: a psychoanalyst, a psychiatrist, a lawyer, a sociologist, a Talmudic exegete, a family miator, a rifle shooter, etc. Let us also note the contribution of the writer Christine Angot.
But Sophie answer she Calle does not want to
“just say what others want” [9] on this letter and in her place. So, she elaborates this scenario because not knowing out of this embarrassment so that phone number list we can be spectators of a whole series of women that she has stag one after the other playing in her place. As if she had to be each time neither quite the same, nor quite another. From this letter that was sent to her and which this time concern her, she makes a love letter that was not intend for her. It is a letter that “never difficulties at the level of large companies reaches its destination because it does not reach its destiny” [10] .
Sophie Calle has thus invent an artistic approach that is entirely her own. The letters that we cit at the beginning, as well as the Letter in its value of equivocation, speak to us above all of the reality of feminine enjoyment in its inventive aspect.
Finally she lets us understand
that it is this very singular know-how that l her to extract herself from this confusion , by exhibiting these conceptual works with great aesthetic value in the global showcase of contemporary art.
, describ by Lasch , supposes the social promotion of this attachment of the subject to his image, where the symbolic order is no longer operative and therefore does not allow the subject to be separat from the gaze and to lodge this gaze in the field of the Other as hindi directory castration establishes it when it is operative. It is therefore no longer so much narcissism taken in its imaginary dimension that is at stake here, as narcissism taken in the corrective value that Lacan recognizes in Joyce, in his desire to “make a name for himself by making academics work for two hundr years around his work.”
